You can't have missed the publicity surrounding the release of Mel Gibson's new film The Passion of the Christ. It's not yet out in Britain, but I'm not planning on watching it when it is. Two-and-a-half hours of sado-masochistic, anti-Semitic, practically-Medieval-in-its-values, cinema is not my cup of tea. Slate's Christopher Hitchens has, however, like everyone else in the US, seen the film, and gives Mel Gibson the flogging he deserves:
So let us not be euphemistic about what is staring us in the face. Last Wednesday, the Lovingway United Pentecostal Church in Denver posted a sign on its roadside marquee. It read "Jews Killed the Lord Jesus." This pigsty of a church has, I think you will agree, an unimprovable name. But its elders, or whatever they call themselves, can't have had time to see the movie, which only opened that same Ash Wednesday. Nor, I think it safe to say, had they chosen the slogan only on the spur of the moment. No: They had been thinking this for quite a long time and were emboldened to "come out" and say so under the cover of a piece of devotional cinematic pornography. Some of us saw this coming. In America, I hope and believe, the sinister effect will be blunted by generations of civilized co-existence. But think for a moment what will happen when Gibson reaps the residual and overseas profits from screenings of the film in Egypt and Syria, or in Eastern Europe, where things are a bit more raw. Who can believe that he did not anticipate, and intend, this result?Apparently seeking to curry favor, Gibson announced a few weeks ago that he had cut the scene where a Jewish mob yells for the blood of Jesus to descend on the heads of its children (a scene that occurs in only one of the four contradictory Gospels). Gibson lied. The scene is still there, spoken in Aramaic. Only the English subtitle has been removed. Propagandists in other countries will be able to subtitle it any way they like. This is all of a piece with the general moral squalor of his project. Gibson's producer lied when he said that a pope Gibson despises had endorsed the film. He would not show the movie to anyone who might object in advance. He will not debate any of his critics, and he relies on star-stricken pulp interviewers to feed him soft questions. Now, as the dollars begin to flow from this front-loaded fruit-machine of cynical publicity, he is sobbing about the risks and sacrifices he has made for the Lord. A coward, a bully, a bigmouth, and a queer-basher. Yes, we have been here before. The word is fascism, in case you are wondering, and we don't have to sit through that movie again.
Go read the whole thing.
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